Goli Taraghi’s The Pomegranate Lady and Her Sons was the standout of this set:
Born in Tehran in 1939, Goli Taraghi was a teenager during Iran’s 1953 coup and a grown woman during the 1979 revolution. Both upheavals feature prominently in her writing, but the stories collected in The Pomegranate Lady and Her Sons are hardly polemical. Political tumult instead merely provides the backdrop of the transformations of her characters, young and old. The adolescent girls of “Flowers of Shiraz” can hardly comprehend the change underway in their country: In the run-up to Mossadeq’s ouster, they ride their bikes through the city, meeting for ice cream, flirting with boys, and racing through the hills, despite the protests on the streets. Mitra, Gol-Maryam and Parivash wear their political allegiances as lightly as their crushes. That’s not to say Taraghi isn’t interested in history’s course; she plays a long game in many of her stories, following the fates of characters across decades and continents. In “The Gentleman Thief,” a math teacher-turned-smalltime-burglar sneaks into the narrator’s house. “Excuse me,” he says. “With your permission I will take this bowl and clock and I will leave.” (Before escaping out the window, he asks for a glass of water, too.) Only many years later does his full story emerge, when the narrator returns from Paris to visit her ailing uncle. Much to her surprise, the former thief is now her uncle’s caretaker and loyal companion. A similarly complicated fate unfolds in “Amina’s Great Journey,” the tale of a big-eyed Bangladeshi maid named Amina who spends her days daydreaming of movie stars. The story charts Amina’s slow transformation from a gullible young girl who is complicit in her greedy husband’s abuse to a confident woman intent on educating her children. Taraghi carves out space for mysterious forces—powerful coincidences, supernatural spirits and uncontrollable compulsions—in her stories. But at the heart of these tales are just ordinary people, caught in strange times.
For the rest of the week’s reviews, head over to The Daily Beast.