I really enjoyed talking about lions, bears, griffins, communes, murder, “the duality of glamour and catastrophe,” and other California specialities with writer Emma Cline and artist Walton Ford last week at the inaugural Gagosian Quarterly talk at The Greene Space. If you missed it, video of the event is now available: http://www.thegreenespace.org/story/gagosian-quarterly-talks-walton-ford-and-emma-cline/
In the brief interval between Polar Vortex I and Polar Vortex II, I somehow I managed to get in a leisurely amble through Queens with Gary Shteyngart.
We met at the Solomon Schechter School of Queens in Flushing and wandered through his old school playground before circling back to his family’s first apartment in Kew Garden Hills. Eventually we made our way to Main Street Cinemas, site of a certain memorable screening of Emmanuelle: The Joys of a Woman.
He told me many more hilarious stories than I could possibly include in this radio segment. But I did my best. Take a listen to A Literary Walkabout in Gary Shteyngart’s Queens and enjoy the slideshow of the author posing in front of his key childhood landmarks. Then go read his memoir, Little Failure.
A new year, new books! This week’s picks feature the cities of Cleveland and Dusseldorf, Pythagorean Pizza, and a whole lot of Robert Moses:
A little more than a week before the 1964-65 World’s Fair was set to open its gates in Queens, The New York Journal-American ran a front page story charging that the mural Andy Warhol had created for the fair—a mural commissioned by architect Phillip Johnson—depicted, quite literally, the city’s worst face—or rather, faces. Warhol’s painting featured 22 images of the city’s 13 Most Wanted Criminals, “resplendent in all their scars, cauliflower ears, and other appurtenances of their trade.” Within days, at Johnson’s suggestion, Warhol’s work was completely painted over. It wasn’t exactly censorship at “master builder” Robert Moses’s hands, but to Warhol, it felt that way. In frustration, he made a new painting, this one featuring 25 silk-screened images of the president of the World’s Fair Corporation. He called it “Robert Moses Twenty-Five Times.”
Goli Taraghi’s The Pomegranate Lady and Her Sons was the standout of this set:
Born in Tehran in 1939, Goli Taraghi was a teenager during Iran’s 1953 coup and a grown woman during the 1979 revolution. Both upheavals feature prominently in her writing, but the stories collected in The Pomegranate Lady and Her Sons are hardly polemical. Political tumult instead merely provides the backdrop of the transformations of her characters, young and old. The adolescent girls of “Flowers of Shiraz” can hardly comprehend the change underway in their country: In the run-up to Mossadeq’s ouster, they ride their bikes through the city, meeting for ice cream, flirting with boys, and racing through the hills, despite the protests on the streets. Mitra, Gol-Maryam and Parivash wear their political allegiances as lightly as their crushes. That’s not to say Taraghi isn’t interested in history’s course; she plays a long game in many of her stories, following the fates of characters across decades and continents. In “The Gentleman Thief,” a math teacher-turned-smalltime-burglar sneaks into the narrator’s house. “Excuse me,” he says. “With your permission I will take this bowl and clock and I will leave.” (Before escaping out the window, he asks for a glass of water, too.) Only many years later does his full story emerge, when the narrator returns from Paris to visit her ailing uncle. Much to her surprise, the former thief is now her uncle’s caretaker and loyal companion. A similarly complicated fate unfolds in “Amina’s Great Journey,” the tale of a big-eyed Bangladeshi maid named Amina who spends her days daydreaming of movie stars. The story charts Amina’s slow transformation from a gullible young girl who is complicit in her greedy husband’s abuse to a confident woman intent on educating her children. Taraghi carves out space for mysterious forces—powerful coincidences, supernatural spirits and uncontrollable compulsions—in her stories. But at the heart of these tales are just ordinary people, caught in strange times.
For the rest of the week’s reviews, head over to The Daily Beast.
I reviewed Chinelo Okparanta’s Happiness, Like Water for The Daily Beast:
Scheming mothers and selfish husbands, fathers, and brothers domineer over the sensitive women of Happiness, Like Water, Nigerian-born Chinelo Okparanta’s debut short-story collection. A graduate of the Iowa Writer’s Workshop, Okparanta was named one of Granta’s six New Voices in 2012. It’s a fitting honor: the unsparing stories of Happiness, Like Water show Okparanta to be a champion of young, frequently misunderstood female protagonists whose voices are too often stifled. In many of these tales, Okparanta’s women struggle to control their fate in the face of oppressive circumstances.
The full review is here.