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coloring-booksThe radio version of my New Yorker story on South Korean literature airs this week in a special hour I’ve been working on for On the Media, which is all about the state of the publishing industry and the enduring presence of physical books in a digital world.

Check out Laura Marsh’s brilliant look at the subversive history of adult coloring books, Rob Salkowitz on why Amazon might be opening physical bookshops, Bob Garfield’s visit to a massive warehouse selling books by the foot, and more!

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I’ll be speaking with Anjan Sun51RG-uuGdJL._SX331_BO1,204,203,200_.jpgdaram, author of Bad News: Last Journalists in a Dictatorship tomorrow night at BookCourt in Brooklyn.  It’s the South Asian Journalists Association’s first event of 2016– and it’s free.  (And there will be wine!)

Details: http://www.bookcourt.com/events/anjan-sundaram-mythili-rao

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Tomorrow night at The Greene Space, I’ll be hosting a conversation with three particularly brave and brilliant Muslim-American New Yorkers who have each made tremendous journeys– with their families, and alone; across the world, and deep into their own hearts.

Sadia Shepard is the author of The Girl from Foreign: A Memoir, in which she investigates her grandmother’s childhood among the Bene Israel, the small Jewish community she belonged to in Mumbai before converting to Islam when she married.

Comedian and performer Alaudin Ullah has been featured on HBO, Comedy Central, MTV, BET and PBS.  His one-man show “Dishwasher Dreams” is the story of how his father, a Bengali steamship worker, landed in New York in the 1920s.

Kenan Trebincevic was born in a town called Brcko in what today is Bosnia and Herzegovina to a Bosnian Muslim family in 1980.  He came to the United States in 1993 while his country was in the midst of war, went to college in Connecticut, and became an American citizen in 2001. He is the author of a memoir, The Bosnia List.  

UPDATE: Video of the event is now online! http://livestream.com/thegreenespace/events/4083076

foldedclockI reviewed The Folded Clock: A Diary by Heidi Julavits and Ongoingness: The End of a Diary Sarah Manguso– and reflected on my own diary-keeping habits– over at The Los Angeles Review of Books.  The essay starts like this:

TODAY I DUG OUT an old diary from one of the large cardboard boxes that my husband and I never unpacked after our last move. It’s a spiral notebook with a multicolored cover. Thin lines of text, written in a black Pilot Precise pen, fill its pages, and my handwriting is narrow and mostly neat. The diary begins in the spring of 2005, a few months before I moved to New York. Flipping through it, I hoped to find some observation from my first hours, days, or weeks in New York — some early impression of the city that might foreshadow how the place would shape me.