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Screen Shot 2018-04-26 at 12.03.13 PM.pngI recently had the chance to sit down with Abdellah Taïa and Chiké Frankie Edozien at the CUNY Graduate Center for an evening of discussion put together by Words Without Borders, Belladonna* Series, and Lost & Found: The CUNY Poetics Document Initiative. It was an absolute honor––Taïa and Edozien are talented, fiercely passionate writers whose work challenges political and social boundaries.  Video of the event is now available and you should also check out their work!

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DTs4mNZWsAA9FtrEarlier this week, I interviewed South Korean human rights activist Do Hee-yun– the person said to be responsible for helping the manuscript of “The Accusation” escape North Korea– at the New York Public Library.  He told me that he hoped to make contact with the author, Bandi again this spring, and– incredibly– that he believed the stories in “The Accusation” may actually have been the work of not just one writer, but a group of writers (!). That conversation was part of an extraordinary evening, with readings from Min Jin Lee and Heinz Insu Fenkl, and a performance from the opera-in-progress based on one of Bandi’s stories. (UPDATE: Audio and video of the event are now online.) Here’s my original piece on “The Accusation” for The New Yorker: https://www.newyorker.com/books/page-turner/a-collection-of-north-korean-stories-and-the-mystery-of-their-origins

img_8473I recently got to spend an evening at Columbia University’s j-school moderating a conversation between novelists Hirsh Sawhney (author of South Haven) and Akhil Sharma (author, most recently, of Family Life) for the South Asian Journalists Association.  They’ve both written intensely dark books about death/loss and dysfunctional families, so I’m not sure why we’re all grinning ear to ear, but it was very nice to talk with them.

I interviewed Daniel Mendelsohn for Virginia Magazine.  It was a treat to sit down with a critic whose work I’ve admired for a long time and talk about how he approaches his work. The headline comes from his take on Love Actually.  I’ve always loathed that movie, but on his urging, I’m going to try to let my guard down next Christmas when it’s on TV.


Screen Shot 2016-06-14 at 8.16.29 PMDo you believe in “guilty pleasures” of cultural consumption?

I really do believe that the high-low distinction is more invidious than not. The aesthetic components of “guilt”-inducing pleasures are usually melodrama and sentimentality. I have a great aversion to the aversion to sentimentality. To me, what made Mad Men unbearable was its own incredible overweening need to be cool. And because it was so cool and so cynical about everything, I just didn’t care about it, whereas in the first five minutes of watching Friday Night Lights, I thought I was going to die if I didn’t know those people were going to be okay.

Why not love something like Love Actually? What’s so terrible about just caving into your crazy human heart every now and then? You don’t always have to be armored.

 

city_on_fireIf you’ve clicked through any “best books of the year” lists– like The New York Times‘, the Wall Street Journal‘s, NPR ‘s, or the Atlantic‘s–  you may have noticed a title which made all of them: City on Fire by Garth Risk Hallberg.

The buzz around City on Fire began back in 2013, when Knopf acquired it for nearly $2 million. Once it’s invested big in a book, how does a publisher ensure that it succeeds?

My story on the push to make City on Fire a blockbuster success airs on WNYC today and tomorrow.