I was on The Takeaway today sharing my summer reading recommendations with host Tanzina Vega. My picks: Asymmetry by Lisa Halliday, There There by Tommy Orange, Pretty Things by Virginie Despentes, Banthology, edited by Sarah Cleave, Air Traffic by Gregory Pardlo, and My Year of Rest and Relaxation by Ottessa Moshfegh. Listen here for more about what makes these books so great.
I recently had the chance to sit down with Abdellah Taïa and Chiké Frankie Edozien at the CUNY Graduate Center for an evening of discussion put together by Words Without Borders, Belladonna* Series, and Lost & Found: The CUNY Poetics Document Initiative. It was an absolute honor––Taïa and Edozien are talented, fiercely passionate writers whose work challenges political and social boundaries. Video of the event is now available and you should also check out their work!
This week on The New Yorker Radio Hour, I interviewed Heinz Insu Fenkl. Fenkl is in the process of translating the poems included in that mysterious manuscript said to have been smuggled out of North Korea. He talked about the unusual, propaganda-inspired poetic devices at work in “The Red Years,” and explained what the poems reveal about the North Korean dream of reunification.
I wrote about the poems of the “The Red Years,” by Bandi, which are being translated by Heinz Insu Fenkl for US publication, for The New Yorker.
Earlier this week, I interviewed South Korean human rights activist Do Hee-yun– the person said to be responsible for helping the manuscript of “The Accusation” escape North Korea– at the New York Public Library. He told me that he hoped to make contact with the author, Bandi again this spring, and– incredibly– that he believed the stories in “The Accusation” may actually have been the work of not just one writer, but a group of writers (!). That conversation was part of an extraordinary evening, with readings from Min Jin Lee and Heinz Insu Fenkl, and a performance from the opera-in-progress based on one of Bandi’s stories. (UPDATE: Audio and video of the event are now online.) Here’s my original piece on “The Accusation” for The New Yorker: https://www.newyorker.com/books/page-turner/a-collection-of-north-korean-stories-and-the-mystery-of-their-origins
I really enjoyed talking about lions, bears, griffins, communes, murder, “the duality of glamour and catastrophe,” and other California specialities with writer Emma Cline and artist Walton Ford last week at the inaugural Gagosian Quarterly talk at The Greene Space. If you missed it, video of the event is now available: http://www.thegreenespace.org/story/gagosian-quarterly-talks-walton-ford-and-emma-cline/
When Mark Twain died, in 1910, his literary output slowed but did not cease. In the decades since, Twain’s posthumously published works have included a novel, two short-story collections, four essay collections, a book of letters, a book of notes, a translation of a German children’s story, and a three-volume, twenty-three-hundred-page autobiography. This month, Doubleday will add one more work to the list: “The Purloining of Prince Oleomargarine,” a children’s book.