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A new year, new books! This week’s picks feature the cities of Cleveland and Dusseldorf, Pythagorean Pizza, and a whole lot of Robert Moses:

A little more than a week before the 1964-65 World’s Fair was set to open its gates in Queens, The New York Journal-American ran a front page story charging that the mural Andy Warhol had created for the fair—a mural commissioned by architect Phillip Johnson—depicted, quite literally, the city’s worst face—or rather, faces. Warhol’s painting featured 22 images of the city’s 13 Most Wanted Criminals, “resplendent in all their scars, cauliflower ears, and other appurtenances of their trade.” Within days, at Johnson’s suggestion, Warhol’s work was completely painted over. It wasn’t exactly censorship at “master builder” Robert Moses’s hands, but to Warhol, it felt that way. In frustration, he made a new painting, this one featuring 25 silk-screened images of the president of the World’s Fair Corporation.  He called it “Robert Moses Twenty-Five Times.”

Find the full reviews here.  And take a listen to author Joseph Tirella talking about Tomorrow-Land on The Takeaway here.

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I reviewed Chinelo Okparanta’s Happiness, Like Water for The Daily Beast:

Scheming mothers and selfish husbands, fathers, and brothers domineer over the sensitive women of Happiness, Like Water, Nigerian-born Chinelo Okparanta’s debut short-story collection. A graduate of the Iowa Writer’s Workshop, Okparanta was named one of Granta’s six New Voices in 2012. It’s a fitting honor: the unsparing stories of Happiness, Like Water show Okparanta to be a champion of young, frequently misunderstood female protagonists whose voices are too often stifled. In many of these tales, Okparanta’s women struggle to control their fate in the face of oppressive circumstances.‬

The full review is here.

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